A Study of Existentialism in Samuel Beckett’s Endgame
Download PDF
Abstract.Endgame is one of the masterpieces of Samuel Beckett, which embodies the philosophical thinking of life and presents a hopeless and absurd picture of the world. After Waiting for Godot, Endgame is Beckett's more comprehensive and thorough negative portrayal of the western reality and life after the war. It is also a reflection of the western spiritual crisis and survival crisis after the war, showing the complete disillusionment. Studies have been conducted to illustrate this work from the perspectives of spatial analysis, modernist drama, and Beckett's poetics. This paper attempts to interpret this work from the perspective of existentialism.
Keywords.
Endgame, Beckett, existentialism
APA Citation
Shulan Li (2024). A Study of Existentialism in Samuel Beckett’s Endgame. Frontiers in Humanities and Social Sciences, 4(7), 15-20. https://doi.org/10.54691/webxex08
References
- Mooney, Sinead: Tragedy and Irish Literature: Synge, O'Casey, Beckett, Modern Language Review, Vol. 99 (2004) No.4, p. 477-478.
- Adorno, Theodor W.: Trying to Understand Endgame (Columbia University Press, US 1958).
- Richardson, Brian: Theatrical Space and the Domain of Endgame, Journal of Dramatic Theory and Criticism, Vol.14 (2000) No.2, p. 67-75.
- Essif, Les: Introducing the ‘Hyper’ Theatrical Subject: The Mise En Abyme of Empty Space, Journal of Dramatic Theory and Criticism, Vol.9 (1994) No.1, p.67-86.
- Sayyed, Rahim M., and Bamshad H. Tabari: Waiting for Godot is an Irish Endgame: A Postcolonial Reading of Samuel Beckett’s Waiting for Godot and Endgame, International Journal of Applied Linguistics & English Literature, Vol.2 (2013) No.1, p.60-67.
- Beckett, Samuel, et al. Endgame (BBC for the Open University, Britain 1990).
- Horowitz, Evan. Endgame: beginning to End, Journal of Modern Literature, Vol.27 (2004) No.4, p.121-128.